LENNY BREAU PDF

More Images. Please enable Javascript to take full advantage of our site features. Edit Artist. Moved with his family to Winnipeg, Manitoba, when a child. Son of country artists Hal Lone Pine and Betty Cody , he found early inspiration in musicians like Merle Travis and Chet Atkins on traditional fingerpicking style, and later from Bill Evans when it came to harmonics and approach. Breau developed a unique playing style, blending country, classical, jazz, and flamenco - often in the same arrangements.

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Lenny Breau — is not widely known to the public at large. His death under mysterious circumstances cut short a life dedicated to transcending the apparent limitations of the guitar to create a sublimely expressive musical voice that was uniquely his own. He could sing. He was great looking. Plus, he was an incredible guitar player. I think, man, this guy should have been an absolutely major star — because he had everything going for him. Rent it or add to your collection.

Includes hours of unreleased footage: only available here! Lenny Breau is one of the true geniuses of the guitar. I suppose he is a musician's musician. His knowledge of the instrument and the music is so vast, and I think that's what knocks people out about him.

But he's such a tasty player too. I think if Chopin had played guitar, he would have sounded like Lenny Breau. Chet Atkins. Lenny dispelled notations of how you had to be to be a guitar player. He was a little miracle. Tommy Chong. Lenny Breau dazzled me with his extraordinary guitar playing I wish the world had the opportunity to experience his artistry. George Benson. Lenny Breau played more great stuff at one time than anybody on the planet He was the best that ever lived, bar none.

Danny Gatton. Lenny Breau was a genius - inspired and really loose. I loved how he used the guitar as an extension of his inner freedom, because, obviously, on the outside there were a lot of trainwrecks going on. But when you listen to him play, you hear what kind of guy he really is Steve Vai.

Lenny Breau had the ability to reach into your heart. Larry Carlton. The most enigmatic, innovative and inspired guitarist to ever pick up the instrument… Bill Milkowski. Stay Connected lennybreau lennybreau longlivelennybreau lennybreau. Check out our collection of limited edition Lenny Breau merchandise: shirts, books and more.

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Lenny Breau: The Forgotten Guitar Genius

Though Breau never achieved commercial success, fellow guitarists revered him as an innovator for his unique finger-style chord melody technique, stunning pinch harmonic runs and wide musical vocabulary, ranging from country to jazz to classical. By the time he was a teenager, Lenny had mastered the Chet Atkins thumb-pick and finger-style playing and soon became fascinated by jazz. He recorded one more live album later that year, but due to a lack of commercial success would not record again under his own name until the late Seventies. Over the next decade, Breau played jazz clubs, taught lessons and did studio work while gaining a cult following amongst jazz fans and his fellow musicians. During this time he began intently studying a wide range of musical styles with which he cultivated his unique solo performances and improvisations. Using the Atkins finger-style technique he had learned as boy, Breau could simultaneously play melody, bass and chordal accompaniment, allowing him to segue between jazz chord melody, flamenco interludes, eastern ragas and country finger-picking with striking fluidly. Though he was certainly not the first guitarist to blend disparate styles into his playing, what set Breau apart was his ability to construct free-flowing improvisations that sounded not merely like an amalgam of jazz, country and classical, but a coherent musical expression.

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How Did Lenny Breau Do That?

Lenny Breau — is not widely known to the public at large. His death under mysterious circumstances cut short a life dedicated to transcending the apparent limitations of the guitar to create a sublimely expressive musical voice that was uniquely his own. He could sing. He was great looking. Plus, he was an incredible guitar player. I think, man, this guy should have been an absolutely major star — because he had everything going for him. Rent it or add to your collection.

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Lenny Breau

The dazzling guitar style that so impressed Atkins was a unique synthesis of jazz, flamenco, country, classical and other musical genres that Lenny worked tirelessly to refine throughout his life. Along the way, he created new techniques that baffled and amazed even the most accomplished guitarists of his time. The musical result enthralled listeners as much for its technical complexity as the depth of its emotional expression. How is it then that such an enormously talented and innovative musician is only now—over thirty years after his mysterious death at the age of forty-three—finally beginning to receive the attention and acclaim that eluded him during his lifetime? This conundrum is perhaps best understood by looking at the life, times and character of Lenny Breau, who at an early age dedicated himself to the passionate pursuit of a unique musical voice.

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The late guitar giant Lenny Breau was known for incorporating the intricate sounds of Bill Evans-style piano jazz, flamenco, country, and classical music both Western and Indian into a fingerstyle technique that became a sound all his own. Breau astounded other players with his mastery of hyper-efficient techniques to create deep and expansive listening experiences. In so many words, Chet Atkins, his longtime mentor and a surrogate father figure, referred to Breau as a comet just passing through our atmosphere. After mastering the harp-harmonic technique developed by Atkins, Breau took it to previously unimagined levels. He used sheets of cascading harmonics to create complex harmonies and melodies, and seamlessly wove their shimmering sounds into his arrangements and compositions. Breau was born to a musical family and grew up listening to country music and learning about Chet Atkins and other fingerpickers. He typically played a nylon-string guitar, steel-string electric guitar, and eventually a 7-string Kirk Sand electric guitar.

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